Kudihohola
Não sei, falta-me um sentido, um tacto - is the capacity for music making pure perseverance and technical virtuosity, or is there such a thing as an extra sense which only few possess?
Listening to Kudihohola I grew convinced that certain grooves are in the blood and can’t be learned. And I felt the duty to tribute Chalo Correia’s blessedness: not because he has the rhythm in his veins, but because he (much like many other artists) gave into the arduous and often full of derision path of trying to live off of your true passion.
Acrylic on canvas + porcelain sculpture + mural painting + percussion instruments Installation
Various sizes. Berlin, 2016
Features:
Rundgang (2016) KHB, Berlin
Literature:
A General Theory of Oblivion - José Eduardo Agualusa
Intonations: A Social History of Music and Nation in Luanda from 1945 to Recent Times (New African Histories) - Marissa J. Moorman
This bravery of the few truly passionate amongst us grants the rest of the world the capacity to
change the pace of time get amused by subtleties again |
© 2020 Cora Marin | Berlin | contact@coramarin.com
Kudihohola
Não sei, falta-me um sentido, um tacto - is the capacity for music making pure perseverance and technical virtuosity, or is there such a thing as an extra sense which only few possess?
Listening to Kudihohola I grew convinced that certain grooves are in the blood and can’t be learned. And I felt the duty to tribute Chalo Correia’s blessedness: not because he has the rhythm in his veins, but because he (much like many other artists) gave into the arduous and often full of derision path of trying to live off of your true passion.
This bravery of the few truly passionate amongst us grants the rest of the world the capacity to
change the pace of time
get amused by subtleties again
smile, dance, feel, get moved
and regress to fully playful mindsets.
Acrylic on canvas + porcelain sculpture + mural painting + percussion instruments Installation
Various sizes. Berlin, 2016
Features:
Rundgang (2016) KHB, Berlin
Literature:
A General Theory of Oblivion - José Eduardo Agualusa
Intonations: A Social History of Music and Nation in Luanda from 1945 to Recent Times (New African Histories) - Marissa J. Moorman
© 2020 Cora Marin | Berlin | contact@coramarin.com