Não sei, falta-me um sentido, um tacto - is the capacity for music making pure perseverance and technical virtuosity, or is there such a thing as an extra sense which only few possess?
Listening to Kudihohola I grew convinced that certain grooves are in the blood and can’t be learned. And I felt the duty to tribute Chalo Correia’s blessedness: not because he has the rhythm in his veins, but because he (much like many other artists) gave into the arduous and often full of derision path of trying to live off of your true passion.
© 2020 Cora Marin | Berlin | email@example.com
Acrylic on canvas + porcelain sculpture + mural painting + percussion instruments Installation
Various sizes. Berlin, 2016
Rundgang (2016) KHB, Berlin
A General Theory of Oblivion - José Eduardo Agualusa
Intonations: A Social History of Music and Nation in Luanda from 1945 to Recent Times (New African Histories) - Marissa J. Moorman