Papers from Zamalek
These are carved out memories and snippets of Cairo as I experienced it for the first time. They serve me as a medium to continue saying thank you to fiery Sherry and to put my rest in peace wishes for her out there, but also as a reminder of the actual reality which lies between my infatuation with the Nile (whose previous lives I continue to visualize as erotico-festive spectacles of lights, dances, and feasts, amongst other blown out of proportion idealisations characteristic of a westerner) and today’s alarmingly large number of gagged-up and hand-tied Egyptian citizens.
Things being as they are where I come from, matters which relate to freedom of expression easily hit a raw nerve, making the urge to talk about them on public walls become even greater.
Series of collages and tranferred ink on old Athens City Hall’s official paper
I. For ideolatry
II. For leisure
III. For labor
IV. For brandish
420 x 600 mm. Cairo, 2019
Literature:
Arab Springs in Tatters - Benny Avni
The Egyptian Revolution: Between Hope and Despair: Mubarak to Morsi - Mohamed El-Bendary
How to disappear - Haytham El-Wardany
The Constitutional Challenges in Post-Mubarak Egypt - Mahmoud Hamad
© 2020 Cora Marin | Berlin | contact@coramarin.com
Papers from Zamalek
These are carved out memories and snippets of Cairo as I experienced it for the first time. They serve me as a medium to continue saying thank you to fiery Sherry and to put my rest in peace wishes for her out there, but also as a reminder of the actual reality which lies between my infatuation with the Nile (whose previous lives I continue to visualize as erotico-festive spectacles of lights, dances, and feasts, amongst other blown out of proportion idealisations characteristic of a westerner) and today’s alarmingly large number of gagged-up and hand-tied Egyptian citizens.
Things being as they are where I come from, matters which relate to freedom of expression easily hit a raw nerve, making the urge to talk about them on public walls become even greater.
Series of collages and tranferred ink on old Athens City Hall’s official paper
I. For ideolatry
II. For leisure
III. For labor
IV. For brandish
420 x 600 mm. Cairo, 2019
Literature:
Arab Springs in Tatters - Benny Avni
The Egyptian Revolution: Between Hope and Despair: Mubarak to Morsi - Mohamed El-Bendary
How to disappear - Haytham El-Wardany
The Constitutional Challenges in Post-Mubarak Egypt - Mahmoud Hamad
© 2020 Cora Marin | Berlin | contact@coramarin.com